This is a very good package of four pars, soft carry case, and DMX cabling. The pars, being ADJ, are ruggedly built, and hold up quite well over the long haul. I've used the Mega Par Profile version of this product for several years, and had no problems with them. I've added this Plus version to my fixture collection. These are great for accent up lighting, and effects lighting for walls. My only complaint would be that the beams are too tight to be used for talent lighting, unless you position the fixtures at least 20 feet from the talent, or use a diffuser cut out from tracing paper, or plastic freznel lens sheet to widen the beam, and allow the fixtures to be used closer to the talent, like in a small pub, or bar, where space is at a premium. The soft carry case is very good quality. It will hold all four of the pars, nicely. In fact, the kit comes with the pars, and cabling already packed inside the case! :) I only with the designers of these bags considered the use of o-clamps, which I usually leave on the fixtures to save time. It is possible to pack the pars in with the o-clamps attached, but it's a wee struggle to close the zippers. Not an impossible task, though. All the power, and cabling fit neatly into the side pockets. The bag has an handle on each side, which close with a Velcro flap. There are three DMX cables which come with, and appear to be seven feet in length. The power cables are also quite long, and are of the type which can be removed. (IEC). I'll definitely be adding another of these kits, if not more, in the future, to round out my wall up-lighting capabilities, as well as back row lighting on stage. The fixtures work nicely. You just have to remember to press, and hold the mode button a few seconds, til you see a tiny red LED flashing in the numeric display, to let you know you have access. CL-32 is the pure, well, nearly pure white. CL-64 is the UV setting. Yeh, it's cool! It'll light up UV reactive stuff from quite a fair distance.
Rating: [5 of 5 Stars!]